I always loved the scenes set inside the TARDIS of the B/W era of WHO- the design, originally created by an at-first apparently reluctant and other commitments burdened Peter Brachaki, was one of the best ever conceived for both television and British television science fiction. And though its interior got smaller and smaller in size as time and recording studio space restrictions went on, it still had a compelling and irresistible air of alien-ness to it. The claustrophobic and eerie first part of The Mind Robber, featuring the Second Doctor and stalwart companion Jamie, was an example of using the main characters at their best within the time vessel.
Tuesday, December 11, 2018
TARDIS LOVE!
I always loved the scenes set inside the TARDIS of the B/W era of WHO- the design, originally created by an at-first apparently reluctant and other commitments burdened Peter Brachaki, was one of the best ever conceived for both television and British television science fiction. And though its interior got smaller and smaller in size as time and recording studio space restrictions went on, it still had a compelling and irresistible air of alien-ness to it. The claustrophobic and eerie first part of The Mind Robber, featuring the Second Doctor and stalwart companion Jamie, was an example of using the main characters at their best within the time vessel.
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