Sunday, October 20, 2024

'MARCO POLO' - DAY 1: 'THE ROOF OF THE WORLD'!

More problems for our now stranded heroes.

Having escaped the perils of the Daleks on the dead planet of Skaro, followed by their near destruction having been caught up in a destructive space incident, our TARDIS travellers have now come to terms with each other and their ongoing situations. Newly arrived on a world they believe to be Earth, our heroes discover an unusually large footprint in the snowy wastes nearby (in the location known as the Plain of Pamir). Then, adding further complications, the Doctor brings grave news: a key instrument in  his ship had broken down and needs to be repaired with elements not currently available to him. As the group, led by Ian and Barbara, chase a mystery creature that could be the legendary Abominable Snowmen, they explore a weather brutal tundra area mountainous area (referred to by people at the time as 'the roof at the end of the world'), they are soon captured by the malevolent War Lord of the Noghai, Tegana (Derren Nesbitt), and taken to meet the legendary explorer from Ian and Barbara's history, the Venetian explorer Marco Polo (Mark Eden).

Selected images by Barry Newbery and Don Smith/ Radio Times/BBC Studios.



The TARDIS, newly arrived in the Himalayas.


Posed publicity image of Susan in her opening episode costume. Colorized by Clayton Hickman.

The Doctor and Ian prepare to join in the fun that Susan and Barbara are having, alongside the soon discovery of an eerily large footprint which would end the prior second episode to The Edge of Destruction.

The Doctor informs them that the lights inside the damaged TARDIS are no longer working and there is no water supply. A piece of vital equipment needs to be mended.

Publicity image of the companions on set.

Exploring the tundra region...

Believed to be evil spirits, Tegana (Derren Nesbitt) and his Mongol warriors prepare to kill the strangers.

Thankfully, the soon presence of Marco Polo stops his plans.

Image via The Black Archive.


One of the Mongol warriors on set, likely at Ealing. 

As our heroes comforts are tended to within one of Polo's travelling caravan tents, after their bad experiences in the cold climes (notably altitude sickness), the recovering Doctor is given permission to join the expedition to Cathay so as to repair his unique 'caravan'. But by the time they reach a place of safety in the small area of Lop, Polo sees a unique opportunity and decides to use the TARDIS, against the Doctor's will, what with its unusual abilities as a 'flying caravan', to win the courtly favours of the mighty Chinese ruler Kublai Khan, to whom he's been in long and dutiful service and now wishes to be released from. On his way to seemingly make peace for his people with Kublai Khan, the evil Tegana,  however, wants the TARDIS (which he believes is a spiritual contraption of some kind) for his own ambitious and power-boosting purposes, to deliver to his formerly defeated leader, Khan Noghai, and be the cornerstone to their new army's attack on Kublai Khan's sustained empire. Of which Tegana is willing to kill Marco Polo, his expedition, and the Doctor and his companions, in order to get it...


Now in the warmth of one of Marco Polo's tents, our heroes soon find new challenges ahead with their friendly but demanding custodian.

In the company of Marco Polo (Derren Nesbitt), the Doctor begins to recover from his altitude sickness.



Tegana and Marco talk about the Doctor's soon-to-be-picked-up caravan, of which Tegana doesn't believe in its abilities, saying that it looks more like a 'warlord's tomb', and that the newcomers are clearly evil spirits!


Now a part of the caravan, the TARDIS and its occupants depart the Himalayas. Lovely art by Daryl J. Joyce.



Publicity shots of Zienia Merton as Ping-Cho, escorting Marco Polo to Cathay, newly arrived at the way station at Lop. 

In one of her earliest TV appearances, Merton would be a stand-out guest star in the story.

The Doctor and his friends hear the bad news from Marco Polo regarding the TARDIS's fate.


The Doctor is outraged by Polo's actions but the explorer remains resolute towards the older man as to the TARDIS's fate.




A contemplative Marco knows how the travellers will take his plans.

Ian confers with Marco about the situation.

Note Marco Polo is wearing the gold seal of Kublai Khan, which gives him total authority with his ruler's subjects.

A frustrated but also bemused Doctor has no idea yet how they'll get back the TARDIS and escape this time period...



Saturday, October 19, 2024

'MARCO POLO': CELEBRATING SIXTY YEARS OF THE LOST CLASSIC!

Classic specially posed image of Mark Eden, Derren Nesbitt and William Hartnell. Restored and colourized by Clayton Hickman.

One of the most acclaimed stories of William Hartnell's premiere season as Doctor Who, John Lucarotti's seven-part historical adventure Marco Polo was a critical and audience triumph 
for series producer Verity Lambert, her dedicated script editor David Whitaker and talented directors Waris Hussein and John Crockett, during its transmission from February-March, 1964. It's popularity was especially satisfying to the BBC, discovering that audience figures would stay consistently high throughout the story's run, having been prior worried that there might have been ratings slippage after the show's prior thrilling sci-fi adventure with the Daleks. 

Doctor Who was seemingly here to stay with the British viewing public...

The original 1964 cover to the Radio Times.

Marco Polo's primary director, Waris Hussein, with the famous Radio Times cover.


Sixty years on, Marco Polo is still fondly remembered and applauded by both fans and critics for its solid storytelling, fine acting, and lavish production values. That the entire story is no longer in the BBC Archives, nor been found abroad within the vaults of any of the TV stations it was sold to by BBC Enterprises, is a tragedy indeed, and hurts like a dagger deeply embedded within Who fans' hearts. Though now likely lost forever (one potential hope - a film print can for its final episode having been found a while back, albeit with its contents missing, in New Zealand), we still have an incredible imagery collection from the story to feast on, alongside the official BBC Audio Soundtrack, where it's wonderous adventure and colourful characters will live forever. 

Radio Times preview of the adventure from 1964.


Marco Polo at work in his journal (in the episode Rider From Shang-Tu), with accompanying character narration that would become an important and memorable part of the story.

A selection of John Cura's lovely 1965 telesnaps for the story, colourised and restored by Clayton Hickman.

Enjoy our very special seven-day photo story coverage tribute to this wonderful tale, and feel free to contact us with your memories of the story, if you were lucky enough to see it back during its one and only original transmission... 




Saturday, October 12, 2024

BASIC INSTINCTS!


An unknown dying world, a resident populace of space and time hopping alien cheetahs in violent, carnivorous symbiosis with it, and the mystery of the possessed the Master stranded there amongst them, desperate to escape before he too is engulfed in his own primal instincts. All great elements making for a highly satisfying finale adventure to the classic series, and the then adventures of the more mysterious than ever Seventh Doctor and a maturing Ace, in Rona Munro's effective debut for the series - Survival. 

Great art composition by JeremyB.

Wednesday, October 9, 2024

SEASON TWENTY-ONE AT FORTY: THE COLLECTED LINKS...

Davison, Fielding and Strickson pose for a memorable Radio Times photo shoot taken Summer, 1983, promoting the upcoming Season Twenty-One.

A time of action, adventure, of sadness and parting, as well as the beginning of change for our resident Time Lord. The at-first seemingly insignificant Androzani Minor would await the arrival of the Doctor and recently joined TARDIS-travelling companion Peri, starting an unforgettable, breathless adventure closing the Davison era and seeing-in the colourful, boisterous era of the enthused Colin Baker as Doctor Who Number Six...

Goodbye, Peter Davison's Fifth incarnation...

We hope you've enjoyed the major coverage and personal nostalgia linked to this site's overview of not just a hugely successful season of eighties Doctor Who, but also a great finale to Peter Davison's all too brief tenure on the show.

Here are the season's collected links. Enjoy!







In-Vision magazine art by Steve Caldwell.


Saturday, October 5, 2024

SEASON TWENTY-ONE AT FORTY: 'THE TWIN DILEMMA'

The new Doctor faces the monstrous Mestor in The Twin Dilemma. VHS release cover art (later used for a 1990's Target reissue) by Andrew Skilleter.

Is the Doctor really losing his mind? After his fifth regeneration his behaviour certainly seems to point that way. Having tried to strangle Peri, he's landed the Tardis on the asteroid Titan 3, determined to pursue the quiet life of a hermit. But the giant dome on the horizon seem set to shatter his peace. Just who are its mysterious inhabitants? What is their connection to the kidnaping of the twins Romulus and emus, famed for their mathematical genius? And where are the giant Gastropods?

Original VHS release sleeve synopsis - 1992

Whilst the Peter Davison era closing The Caves of Androzani has a status worthily and indelibly regarded as an All-Time Classic, the reverse is the case for the proceeding adventure that would launch Colin Baker's ultimately turbulent period on the show, the infamous The Twin Dilemma. Which is a genuine shame really, for the then eager, amiable and enthusiastic new star of the series taking the mantle from Davison, whose debut would prove to be a bomb with both fans and the general audiences - each episode registering viewer losses on a large scale, with a million having deserted the Season Twenty-One closer by its four-part conclusion in March, 1984.


The Sixth Doctor revealed!

I remember watching the opening episode at the time and thinking it was okay, primarily due to the exciting opportunity to see a fresh new Doctor in the TARDIS, and to see how Colin Baker (a truly unexpected casting choice to me) would likely play the role for what he thought was going to be at least a seven-year run. Alas, such dreams were not to be. When not throttling Peri (Nicola Bryant, in one of her weakest performances, saddled with a weak script for her character - the sign of things to come...) due to his unstable regeneration awakening (an interesting idea stretched too long over the story, and which, in hindsight, would ultimately prove a major mistake and turn-off for regular audiences), the Sixth Doctor, though energetic and resourceful, often comes across as a blustery egotist in this premiere outing. Baker, playing on the script, would here remind me of a character from another more earthbound series, the pompous and often foolish comedic character of Doctor Frasier Crane, as played by Kelsey Grammar, only his role was specifically played for often alienating laughs. Also hindering our star badly would be the now infamous 'yuk' costume gimmick. Again, I was okay with it with its publicity debut for the first story (and it is a lovely design from Pat Godfrey), again due to the thrill of something new as part of the process, but it soon became an eyesore and diminished the work of the actor in credibly realizing his role through the following seasons. Whoever was the Head of Drama by then, really should have reined in producer John Nathan-Turner's key ideas for this specific incarnation, of which Colin really deserved better. All opening regeneration story's should feature significant creative input from the upper echelons so as to critically make any new era work.

The new TARDIS team enjoys a special publicity photo session.

After the whirlwind ride of Caves, the entirety of Twin ultimately reeks of competency rather than anything exciting or memorable, with a script from Anthony Steven (heavily rewritten by script editor Eric Saward) that had potential (one idea from of it, that the Doctor becomes a hermit of sorts, having been prior considered for a story by an intrigued Douglas Adams during Season Seventeen) but fails to make an impact, brought to TV reality with little to no atmosphere, nor blessed with any kind of satisfying sense of pace to its telling. In fact, it's slower than the Gastropod monsters residing on Jaconda! Chosen primarily because he worked well with the other Doctors and was considered 'a safe pair of hands' for JN-T, popular director Peter Moffat proves out of place within the purely science fiction trappings he has to bring to life here, and it shows. After all the greatness of Caves, Twin feels so staid. 

And it's the opening episodes that showcase the biggest problems, with the most disagreeable batch of cobbled together, overly lit sets ever seen in the series, featuring no pleasing design aesthetic tones at all, whilst the supporting costume designs look equally poor and tatty for the premiere story of the new Doctor (I recall JN-T stating in a TV interview a few months earlier that, after the gorgeous The Keeper of Traken, that Twin was going to be one of his other favourite stories. I'm still flabbergasted by that statement today!). In an attempt at counter-balance though, the filmed model effects work is excellent, alongside a reasonably effective Malcolm Clarke score that tries to create some menace and atmosphere, even if some of it sounds a little too familiar to his earlier work in the season with Resurrection of the Daleks. 


A memorable publicity image of Colin baker during chilly location filming.

There's a fine group of guest actors in this story working hard to keep interest and bring conviction, but it's like professional seaman braving a perfect storm. Maurice Denham is notably good here as Edgeworth (establishing some fine moments with Baker). The key factor of the story, the two mathematical genius twins (played by Gavin and Andrew Conrad) are not quite the disaster that legend has them to be, ultimately proving adequate rather than excruciating as the reasons for the unique space kidnapping are later revealed and their roles are substantially, mercifully, reduced in the storytelling. Female twins would surely have been a better acting choice by far, but it was not to be.

The Sixth Doctor's first onscreen nemesis: Mestor, the slimy leader of the Gastropods.

Things pick up reasonably better with the final two episodes, thankfully, as our heroes arrival on the mostly underground realms belonging to the ravaged former paradise of Jaconda. This is where the big villain of the piece, the slimy Mestor of the Gastropods, gets more to do, too. Comparisons of Mestor to Jabba the Hutt are inevitable (on a smaller, cheaper scale, of course!), what with Return of the Jedi's cinematic release only a year before, though it lacks the ability to make any proper movements or facial articulation in the way that make-up genius Stuart Freeborn's incredible filmic creation would. Popular character actor Edwin Richfield tries hard to bring menace and gravitas to the role, but it's a near thankless task, with similar monsters like the tractators having been done better in the early season story Frontios.

Definitely the 'craggy nob' jutting out from a hugely successful season, The Twin Dilemma is not the gem we all wanted it to be sadly, but at least regular viewers would get the chance to ignore it as best they could as the season's ender, where ratings generally dropped off for the Spring. Despite such a poor launch, I certainly wanted to see Baker succeed in the role, and at least he got a second chance of sorts a year later via the action-packed and far more appealing Attack of the Cybermen, a Season 22 launcher that would prove far more effective and successful for Doctor Six's era, and garnering superior ratings.

The Twin Dilemma ★ | Radio Times


The clothes maketh the Time Lord in his new sixth incarnation.

The Doctor shockingly strangles Peri with the beginning of his post regeneration problems.

On Earth, the genius twins Romulus and Remus (Gavin and Andrew Conrad) are captured by Edgeworth, the former Time Lord known as Azmael (Maurice Denham).

Trying to control his at first volatile personality, the Doctor decides to become a hermit on the barren world of Titan III.

The Doctor and a reluctant Peri soon find mystery and danger on Titan III.


Earth police officer Hugo Lang (Kevin McNally) is after the captured children, and soon reluctantly joins forces with the TARDIS duo.

The evil Mestor (Edwin Richfield) and his Jacondan acolytes.

Now arrived on Jaconda, the Sixth Doctor is soon in trouble!

Time Lord friends reunited in a time of great danger.

The Doctor meets the now freed twins.

Mestor's true plan to infect the galaxy with his Gastropod seed eggs is revealed, and must be stopped!


The Doctor, Peri and Hugo ultimately free Jaconda, helping the dying Azmael defeat Mestor and its ambitions.

Publicity image used for on-air publicity of the Doctor and Peri within the court of Mestor.

The Doctor in one of his confrontations with Mestor, watched by the cowardly Chamberlain (Seymour Green).


Original Radio Times episode listings.

Heralding Colin Baker on the cover of Doctor Who Magazine issue 88 May, 1984.


The Sixth Doctor and Peri in their first cover for Doctor Who Magazine issue 89, June 1984.

The original Target Books cover art by Andrew Skilleter that was sadly not used due to licensing complications with Baker's agent.

The excellent replacement cover, also by Skilleter, instead focusing on the story's key aliens.

The Sixth Doctor's coverage begins within In-Vision magazine. Art by Richard Farrell.


UK DVD release image composition by Clayton Hickman.

UK DVD release circa 2007.


Target cover fan art by Philip James Allison.




Get the BBC Audiobooks adaptation of the Target novel here: